Since the very start of my interest in photography, roughly three years ago, I was immediately attracted to street photography; it is a genre that allows me to do what I love most; that is, to capture specific moments in the lives of perfect strangers with one click of the shutter. In order to be able to move around freely and take photographs more discreetly, I use my smartphone. These days, there are smartphones with 8, 13 megapixel; more than enough to take clear, non-grainy photos that print out well – I print them 20×20 or 25×25. The latest Nokia, which I plan to try out soon, has more than 30 megapixel. When I go out, I usually leave the camera open on my phone, ready to use, to avoid having to waste time in preparation. I normally use the phone’s original camera, which has good image brightness, but sometimes I use ProCamera (faster and more precise) or Hipstamatic (for black and white images, or special effects), which are both available from the iTunes Store.
Once I’ve identified the subject for my shot (it could be something that is happening or someone in particular), I move closer (I NEVER use the zoom), switch the ring tone to silent and, pretending to look at my phone, I take the picture. I try to keep the phone in a horizontal position and as straight as possible, to avoid weird perspective effects (elongated faces and buildings with unrealistic proportions); I use the grid screen to help me by lining it up with points of reference. If I want to take a picture from below the subject, I pretend to tie my laces: I kneel down, touch my shoe and then look at my phone as if in surprise and take the picture. Then I get up and I’m ready for the next shot.
Mobile Photography is becoming one of the most innovative. Instagram users have had to up their ante such taking selfies...are not considerable...photography. At least in the Ansel Adams concept. But Raffaele Cavicchi has given these photos not only an almost Alfred Hitchcock impression but Instagram has been graced with a talented eye.