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Leica Summicron-M 35mm f/2 ASPH - Review / Test Report

Leica Summicron-M 35mm f/2 ASPH - Review / Test Report | Photography Gear News | Scoop.it

35 mm is likely the most common focal length among Leica M shooters,and to many the focal length of choice if they had to get along with only a single lens.

Leica currently offers three 35mm lenses to choose from, with the Summilux 35/1.4 marking the premium end and offering the fastest speed, while the Summarit 35/2.5 on the other end comes in a very small package. Inbetween sits the Summicron 35/2 ASPH, probably the most popular Leica 35mm prime, if not the most popular Leica lens at all. It combines the best of both of its sister lenses: it's reasonably fast, but still very compact. However, as many Leica lenses, it doesn't come cheap, retailing at around 2500 EUR at the time of this review.

The current edition of the lens is the first to feature aspherical elements, after a history of 4 models without aspherical lens, dating back to 1958 (often referred to as Type I to Type IV, the current ASPH model being Type V).

In this review we'll have a look at how the lens performs on our test camera, the Leica M9.

richardsphotography's comment, August 9, 2013 11:45 AM
I really miss shooting film cameras. I know Leica put out some really nice 35mm cameras and the portraits you could create with those sharp lenses were outstanding. http://www.richardsphotography.com/headshots.html
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The Great 50mm Shootout

The Great 50mm Shootout | Photography Gear News | Scoop.it

"Every so often the Universe realizes I’m getting a little cocky and sends someone to ask me a simple question I can’t answer. It happened again the other day. Michael Plumridge and Peter Lik asked Tyler what the sharpest 50mm lens was. They were shooting on Red Epics with adapters so neither brand, mount, nor price mattered. But they needed to know right away. Tyler told them he’d ask me and give them the answer in a few minutes.
But I didn’t have a clue. I have tons of data on 50mm lenses for Nikon and Canon cameras, but all of that was shot at widest aperture, which is great for finding lenses with problems, but not great for finding which is sharpest at f/4. And we had no factual data for Leica mount lenses because Rangefinder cameras are very difficult to test using programs like Imatest. But when someone like Peter Lik wants an answer and tells you Jim Jannard is curious, too, you get them an answer. So we tested every kind of 50mm lens we had available and got a pretty clear answer by the end of the day.
As always, my first thought when presented with a bunch of work to do is “what’s in it for me”? Turns out not much. Tyler got a beautiful signed picture that hangs in his office so I can see it every time I walk by. I got a nice thank you email. But, I figured if I did all that work, I’d at least make a blog post out of it so I didn’t have to do a bunch of research over the holiday weekend. Wait, I mean, I was certain other people would be interested in what I found, so I thought I’d share the results."

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Panasonic Leica DG Summilux 25mm f1.4 ASPH H-X025 Review

Panasonic Leica DG Summilux 25mm f1.4 ASPH H-X025 Review | Photography Gear News | Scoop.it
The Panasonic Leica DG Summilux 25mm f1.4 ASPH is a fast prime lens for cameras using the Micro Four Thirds standard. Mounted on a Micro Four Thirds body, the effective focal length becomes 50mm, giving the lens natural-looking 'standard' coverage.

The DG Summilux 25mm f1.4 was launched in June 2011 alongside the Panasonic Lumix GF3, although its size and pricing will see it more commonly fitted to larger bodies like the Lumix G3. The fast f1.4 focal ratio allows you to work in low light and achieve a very shallow depth-of-field, isolating subjects against a blurred background, while the standard coverage makes it an ideal general-purpose lens.
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Leica’s Ernst Leitz Hektor 135mm f/4.5 lens review

Leica’s Ernst Leitz Hektor 135mm f/4.5 lens review | Photography Gear News | Scoop.it
The Leica Hektor 135mm f/4.5 is probably the least expensive Leica M lens available today – it sells for $50-$300 on eBay or the used departments of B&H, Adorama and KEH. Leica manufactured this lens between 1933-1960. The serial number of mine revealed that it is produced back in 1958...
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Panasonic Leica DG Summilux 25mm f/1.4 ASPH

Panasonic Leica DG Summilux 25mm f/1.4 ASPH | Photography Gear News | Scoop.it

"There was a time where fast lenses were scarce in Micro-Four-Thirds land but things have changed quite a bit during the last 2 years. Among the first high-speed lenses was the Panasonic Leica Summilux 25mm f/1.4 ASPH which filled the "standard lens" gap in the system. Its maximum aperture of f/1.4 is certainly fast with respect to light gathering, but in terms of depth-of-field you are effectively "loosing" about two f-stops in this respect compared to the classic full format but this is still sufficient for quite shallow depth-of-field images especially for documentary photography. You should be able to find one for around 500EUR so it is far from being a budget item considering the typical prices for standard prime lenses in the DSLR market."

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Panasonic Leica DG SUMMILUX 25 mm f/1.4 ASPH. review

Panasonic Leica DG SUMMILUX 25 mm f/1.4 ASPH. review | Photography Gear News | Scoop.it

When you start a system kind of from scratch you must make sure its potential users have several basic lenses available. We think here not only about an all-purpose kit lens but also about a fast, classic standard so the equivalent of 50 mm device. The moment the Olympus company decided to launch its 4/3 system they must have been aware that they would have to launch a lot of new lenses as well. Fortunately they didn’t have to produce everything on their own because the 4/3 system is supported also by Panasonic, in cooperation with Leica, and by independent producers such as Sigma. Due to that help the new system got a fast standard lens, offered by Leica. We think here of course about the Leica-D Summilux 25 mm f/1.4 lens, which has already been tested by us. It wasn’t exactly cheap (like practically any instrument boasting the Leica logo), but it offered really excellent optical properties. Hardly any f/1.4 lens is fully useful up from the maximum relative aperture and the Leica didn’t have the slightest problems with it.
When Olympus and Panasonic focused their efforts on constructing the Micro 4/3 system, the situation developed in a similar way. A fast 1.4/25 standard was planned as a result of Leica and Panasonic cooperation and, owing to that, in June 2011 a launch of a new lens was officially announced – the Panasonic-Leica DG SUMMILUX 25 mm f/1.4 ASPH.

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World's Best 50mm lens? Leica Noctilux f/0.95 Review

This is the fastest 50mm lens in production, but the Noctilux has been around for a long time, and so has the cult-like following for this lens. But what is the new version like? Has it lost any of the charm of the f/1.0? Watch the review to see if this really could be considered one of the best 50mm lenses.

Sample shots on our Flickr page:
http://www.flickr.com/photos/digitalrev/sets/72157626236310925/

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