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It might be hard to believe, but Sasha Elage’s photographs of horses aren’t edited – the effect is a fine balance of coloured paper, manipulated light and stunning landscapes.
On the surface, Bård Edlund’s series is an indictment of the cult of personality, but it is actually a showcasing of the standoff between the artist and the machine.
“We needed to radiate mass appeal,” says Porto Rocha, the graphic design studio tasked with encouraging visitors to the World Trade Centre site.
Shown at the Venice Biennale 2024, Peter Hujar’s Portraits in Life And Death exhibition combines his intimate portraits of the 1970s Lower East Side artistic milieu with haunting images of embalmed bodies in Palermo’s catacombs
On a recent trip to Italy, our US editor-at-large became fascinated by the myriad forms of “folk” signage on display. Here, she asks why designers find it so easy to fall in love with mundane design abroad, but not closer to home.
As This Train is published by Mack, the photographer behind Girl Pictures talks about road-tripping through America with her son, motherhood, and why “images don’t have fixed meanings”
Grids and tight graphic systems provide comfort and safety to this artist working in Berlin.
The branding for the State of the Times event, created by CC Studio in London, aims to celebrate the breadth of content and media that the newspaper produces.
With eleven campuses across Italy, Spain, and Brazil, the education network Istituto Europeo di Design (IED) is on a mission to champion, nurture, and foster the latest generation of creative innovators – finding the shared humanity connecting us all that sits below the surface.
Embedded/Embodied unites ‘acoustics’ and ‘epistemology’, acoustemology to investigate sound as a means of obtaining knowledge, delving into what can be known through listening.
The book explores the charity’s diverse artist commissions (such as Hurvin Anderson, Yinka Ilori and Shepherd Manyika) and celebrates its important work.
Photographer Barbara Peacock has spent years traveling across the United States to get a glimpse inside our most intimate space—the bedroom.
The animator Flóra Anna Buda shares part of her visual research for “27,” imaginary portraits of actual moods.
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Toaster-Typewriter is the first iteration of what technology made with humor can do. A custom made machine that lets one burn letters onto bread, this hybrid appliance nudges users to exercise their imaginations while performing a mundane task like making toast in the morning.
An old project on soccer fan scarves opened Rüdiger’s eyes to the possibilities of textiles. Now he prototypes typefaces on screen and fabric.
In 2010, AnOther collaborated with Le Labo on a fragrance that juxtaposed clean architectural lines with sensual ambroxyde to addictive effect. Here, artist Katrien De Blauwer celebrates the intoxicating power of the scent in a series of collages
Leo Burnett Dubai agency has partnered with Omantel telecom network to create the Maqroo font, which translates to “readable”.
At the collapse of the Soviet Union in the early 1990s, just two years after becoming a professional photographer, Raúl Cañibano joined a generation primed to document Cuba’s present-day struggles. He’s stuck with the mission for his whole career, and now offers a look into the islands future.
gr1dflow is a collection of artworks created through code, delving into the world of computational space. While the flowing cells and clusters showcase the real-time and dynamic nature of the medium, the colours and the initial configuration of the complex shapes are derived from blockchain specific metadata associated with the collection.
A new publication looks into the impact and legacy of Admiral, the brand that pioneered fan football shirts in the UK.
Be it historical writing systems inscribed on leaves or entirely new mediums all together, we explore how, in typographic design, the medium has always shaped the message.
As her new book of pornographic AI nudes is published, Arvida Byström talks about parasocial relationships, sex work, and whether or not it matters if images are “real”
We speak to Romaisa Baddar, founder and curator of the archive about its third publication, which lenses the MENA region’s football culture and defies stereotypes.
Galerie Caroline O’Breen in Amsterdam is presenting ‘Nightcall’, a solo exhibition of new works by artist Satijn Panyigay, who has been photographing temporarily vacant interior…
From the set of Gladiator II, Paul Mescal joins director Andrew Haigh for a conversation about their heart-rending film All of Us Strangers. “I’ve tried to capture intimacy a lot, but there is something special going on here,” says Haigh
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