From the set of Gladiator II, Paul Mescal joins director Andrew Haigh for a conversation about their heart-rending film All of Us Strangers. “I’ve tried to capture intimacy a lot, but there is something special going on here,” says Haigh
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From the set of Gladiator II, Paul Mescal joins director Andrew Haigh for a conversation about their heart-rending film All of Us Strangers. “I’ve tried to capture intimacy a lot, but there is something special going on here,” says Haigh
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Mixing pictures of the event in action with classic school photo-like portraits, the photographer demonstrates how this pageant is more about community than perfection.
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On the surface, Bård Edlund’s series is an indictment of the cult of personality, but it is actually a showcasing of the standoff between the artist and the machine.
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“We needed to radiate mass appeal,” says Porto Rocha, the graphic design studio tasked with encouraging visitors to the World Trade Centre site.
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Shown at the Venice Biennale 2024, Peter Hujar’s Portraits in Life And Death exhibition combines his intimate portraits of the 1970s Lower East Side artistic milieu with haunting images of embalmed bodies in Palermo’s catacombs
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The branding for the State of the Times event, created by CC Studio in London, aims to celebrate the breadth of content and media that the newspaper produces. |
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The target audience for this letter-sized magazine is “anyone who stops and reads things on the street”.
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As his new book of Polaroids is published, Jack Lueders-Booth talks about creating a humane portrait of inmates at a women’s prison in Boston during the 1970s
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Sprawling plants, unfamiliar insects and creatures from another planet: here, the digital artist tells us how she goes about making her ethereal snapshots.
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The Los Angeles-based artist does self-portraiture on her own terms and in her own name.
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Sculpture, web design, typography – whatever Kartik turns his hand to, there is an urge to let real world influences mess with standardisation.
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Toaster-Typewriter is the first iteration of what technology made with humor can do. A custom made machine that lets one burn letters onto bread, this hybrid appliance nudges users to exercise their imaginations while performing a mundane task like making toast in the morning.
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An old project on soccer fan scarves opened Rüdiger’s eyes to the possibilities of textiles. Now he prototypes typefaces on screen and fabric.
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In 2010, AnOther collaborated with Le Labo on a fragrance that juxtaposed clean architectural lines with sensual ambroxyde to addictive effect. Here, artist Katrien De Blauwer celebrates the intoxicating power of the scent in a series of collages
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Leo Burnett Dubai agency has partnered with Omantel telecom network to create the Maqroo font, which translates to “readable”.
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At the collapse of the Soviet Union in the early 1990s, just two years after becoming a professional photographer, Raúl Cañibano joined a generation primed to document Cuba’s present-day struggles. He’s stuck with the mission for his whole career, and now offers a look into the islands future.
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gr1dflow is a collection of artworks created through code, delving into the world of computational space. While the flowing cells and clusters showcase the real-time and dynamic nature of the medium, the colours and the initial configuration of the complex shapes are derived from blockchain specific metadata associated with the collection.
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A new publication looks into the impact and legacy of Admiral, the brand that pioneered fan football shirts in the UK. |