What's new in Visual Communication?

After a previous rebrand fell flat, Bokeh was drafted in to revamp the footwear brand’s visual identity, which now draws from the company’s roots.

Grids and tight graphic systems provide comfort and safety to this artist working in Berlin.

The book explores the charity’s diverse artist commissions (such as Hurvin Anderson, Yinka Ilori and Shepherd Manyika) and celebrates its important work.

An upcoming monograph from Flecha Books sheds light on the extraordinary life of a little-known designer and art director, whose work defined the region’s modern publishing landscape.

The female-led design studio talks us through their long-lasting love of all things graphic and how more tactile mediums are currently inspiring their work.

From creative direction to the design of objects, we go behind the scenes at Bureau Antoine Roux and its art and fashion clients.

“We needed to radiate mass appeal,” says Porto Rocha, the graphic design studio tasked with encouraging visitors to the World Trade Centre site.

The branding for the State of the Times event, created by CC Studio in London, aims to celebrate the breadth of content and media that the newspaper produces.

In this week’s POV, design director Jakob Weinzettel traces the growing trend of “the human alphabet” and how this visual language speaks volumes about designers’ collective obsession with the human form.

With no previous experience in type design, the Texas-based multi-disciplinary designer embarked on a whirlwind 15-week project to make four beautiful typefaces inspired by the history of houseplants.

Ed Fella’s unique, deconstructive approach shocked the mid-century design industry, drawing both admiration and criticism from his peers