What's new in Visual Communication?
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What's new in Visual Communication?
Selected news about graphic design, photography, film studies and media & interaction design for CV students at ECAL (Lausanne, Switzerland)
Curated by ECAL Library
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Sweaty Betty ditches boutique branding to keep up with modern attitudes

Sweaty Betty ditches boutique branding to keep up with modern attitudes | What's new in Visual Communication? | Scoop.it
Gone are the days of the sleek thin sans; activewear brand Sweaty Betty debuts an identity system from Fluoro that stresses new brand message, “don’t sweat it”.
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The Instagram rebrand embraces the “squircle” – a perfect union between the circle and square

The Instagram rebrand embraces the “squircle” – a perfect union between the circle and square | What's new in Visual Communication? | Scoop.it
As Instagram’s first refresh in over five years introduces an illuminated gradient and logo-inspired brand typeface, we speak to the design team about how the biggest challenges came typographically.
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Offshore Studio returns with a mind-boggling lineup of unconventional graphic design projects

Offshore Studio returns with a mind-boggling lineup of unconventional graphic design projects | What's new in Visual Communication? | Scoop.it
The roster includes an interactive map for Bauhaus Foundation, a publication inspired by old underground magazines, and a heck-load of experimental type.
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Dad Agency blends typefaces and leans into monochrome to build and brand its high-tech sports bag

Dad Agency blends typefaces and leans into monochrome to build and brand its high-tech sports bag | What's new in Visual Communication? | Scoop.it
This product and campaign was created entirely in-house, proving why small budgets and limited tools can spark inventiveness.
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Meet graphic design studio Fakepaper, where Marie Antoinette and 70s punk rock collide

Meet graphic design studio Fakepaper, where Marie Antoinette and 70s punk rock collide | What's new in Visual Communication? | Scoop.it
The female-led design studio talks us through their long-lasting love of all things graphic and how more tactile mediums are currently inspiring their work.
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Tom Hingston creates an elastic typographic identity for the V&A’s Alice in Wonderland show

Tom Hingston creates an elastic typographic identity for the V&A’s Alice in Wonderland show | What's new in Visual Communication? | Scoop.it
The identity reflects both the variety of interpretations of the classic and the need for clear communication following a year of the gallery closing its doors.
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