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Mixing pictures of the event in action with classic school photo-like portraits, the photographer demonstrates how this pageant is more about community than perfection.
The second book in The Gourmand’s ingredient-focused series sees the legacy of the citrus fruit examined across art, culture and history.
Focusing on the women and young girls in Beypore, India, the photographer's ongoing series Naadu grapples with limitations of small-town tradition.
“We needed to radiate mass appeal,” says Porto Rocha, the graphic design studio tasked with encouraging visitors to the World Trade Centre site.
Grids and tight graphic systems provide comfort and safety to this artist working in Berlin.
With eleven campuses across Italy, Spain, and Brazil, the education network Istituto Europeo di Design (IED) is on a mission to champion, nurture, and foster the latest generation of creative innovators – finding the shared humanity connecting us all that sits below the surface.
The book explores the charity’s diverse artist commissions (such as Hurvin Anderson, Yinka Ilori and Shepherd Manyika) and celebrates its important work.
Paul Mpagi Sepuya's recent work, ‘Exposures’, dissects race and sexuality, and goes on view at Nottingham Contemporary, UK
An upcoming monograph from Flecha Books sheds light on the extraordinary life of a little-known designer and art director, whose work defined the region’s modern publishing landscape.
With no previous experience in type design, the Texas-based multi-disciplinary designer embarked on a whirlwind 15-week project to make four beautiful typefaces inspired by the history of houseplants.
The female-led design studio talks us through their long-lasting love of all things graphic and how more tactile mediums are currently inspiring their work.
Ed Fella’s unique, deconstructive approach shocked the mid-century design industry, drawing both admiration and criticism from his peers
From creative direction to the design of objects, we go behind the scenes at Bureau Antoine Roux and its art and fashion clients.
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The target audience for this letter-sized magazine is “anyone who stops and reads things on the street”.
Sprawling plants, unfamiliar insects and creatures from another planet: here, the digital artist tells us how she goes about making her ethereal snapshots.
On the surface, Bård Edlund’s series is an indictment of the cult of personality, but it is actually a showcasing of the standoff between the artist and the machine.
gr1dflow is a collection of artworks created through code, delving into the world of computational space. While the flowing cells and clusters showcase the real-time and dynamic nature of the medium, the colours and the initial configuration of the complex shapes are derived from blockchain specific metadata associated with the collection.
The branding for the State of the Times event, created by CC Studio in London, aims to celebrate the breadth of content and media that the newspaper produces.
We speak to Romaisa Baddar, founder and curator of the archive about its third publication, which lenses the MENA region’s football culture and defies stereotypes.
In this week’s POV, design director Jakob Weinzettel traces the growing trend of “the human alphabet” and how this visual language speaks volumes about designers’ collective obsession with the human form.
Fire, ice and now smoke; Nomint continues its work with some of the hardest substances you can animate for WWF.
After becoming discouraged by the “narrow concepts of beauty” in the mainstream fashion industry, the London-based photographer sought out a more inclusive way of applying her creativity.
In conversation with director Charlie Sarsfield and creative director Phil Lee of Untold Studios, we discover how they paid homage to Kojey’s music through a purposefully collaborative approach.
Wrapping up a seven-year project, the photographer looks back on two series for which she re-visited the town she was born in and reconnected with her family there.
Having left her comfort zone, the photographer’s work now blends concepts, creative direction and a load of surprising narratives.
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