The Madrid-based photographer takes photos of himself and others, moving between staged and spontaneous setups.

The photo series focuses on the ephemera that will be acutely familiar to anyone who’s breastfed, making it relatable and emotionally provocative.

After a previous rebrand fell flat, Bokeh was drafted in to revamp the footwear brand’s visual identity, which now draws from the company’s roots.

Published by Loose Joints, Nigel Shafran’s Workbooks 1984-2024 gives rare insight into the British photographer’s practice across the past 40 years

From Nice and Serious and in collaboration with Bloody Good Period, the website aims to make conversations about periods “flow” in workplaces.

The second book in The Gourmand’s ingredient-focused series sees the legacy of the citrus fruit examined across art, culture and history.

Focusing on the women and young girls in Beypore, India, the photographer's ongoing series Naadu grapples with limitations of small-town tradition.

In her first column, our Mumbai correspondent Payal Khandelwal cherry picks some standout Indian food and drink packaging designs that craft modern stories with cultural nuance.

It might be hard to believe, but Sasha Elage’s photographs of horses aren’t edited – the effect is a fine balance of coloured paper, manipulated light and stunning landscapes.

On the surface, Bård Edlund’s series is an indictment of the cult of personality, but it is actually a showcasing of the standoff between the artist and the machine.

“We needed to radiate mass appeal,” says Porto Rocha, the graphic design studio tasked with encouraging visitors to the World Trade Centre site.

Shown at the Venice Biennale 2024, Peter Hujar’s Portraits in Life And Death exhibition combines his intimate portraits of the 1970s Lower East Side artistic milieu with haunting images of embalmed bodies in Palermo’s catacombs

LOOM is an expansive light and sound installation comprised of phosphorescent threads that orchestrate a score of light, sound and darkness.

The new visual identity plays with the ubiquitous arrow symbol and pairs it with bold typography and distinctive collage-style illustrations.

For the singer-cum-rapper, Will Wharton and Hugo Shiboski created a hypnotising 3D world that aims to capture the essence of 2D animation.

Mixing pictures of the event in action with classic school photo-like portraits, the photographer demonstrates how this pageant is more about community than perfection.

As his new book of Polaroids is published, Jack Lueders-Booth talks about creating a humane portrait of inmates at a women’s prison in Boston during the 1970s

Sprawling plants, unfamiliar insects and creatures from another planet: here, the digital artist tells us how she goes about making her ethereal snapshots.

The Los Angeles-based artist does self-portraiture on her own terms and in her own name.

Sculpture, web design, typography – whatever Kartik turns his hand to, there is an urge to let real world influences mess with standardisation.

Toaster-Typewriter is the first iteration of what technology made with humor can do. A custom made machine that lets one burn letters onto bread, this hybrid appliance nudges users to exercise their imaginations while performing a mundane task like making toast in the morning.

An old project on soccer fan scarves opened Rüdiger’s eyes to the possibilities of textiles. Now he prototypes typefaces on screen and fabric.

In 2010, AnOther collaborated with Le Labo on a fragrance that juxtaposed clean architectural lines with sensual ambroxyde to addictive effect. Here, artist Katrien De Blauwer celebrates the intoxicating power of the scent in a series of collages

Leo Burnett Dubai agency has partnered with Omantel telecom network to create the Maqroo font, which translates to “readable”.